Italian Painter, 1494-1557 Francesco Bacchiacca (1494 - 1557) was a Italian painter of the Renaissance whose work is characteristic of the Florentine Mannerist style. Bacchiacca was born in Borgo San Lorenzo, near Florence. He was also known as Bachiacca or Bacchiacca, Francesco d'Ubertino Verdi or Francesco Ubertini. He initially was a craftsman in an atelier of possibly Pietro Perugino. In 1523, he participated with Franciabigio and Jacopo Pontormo in the decoration of the camera of Giovanni Benintendi. He mainly worked in small cabinet pieces, or designs for tapestries. Sogliani's Deposition, a theme commonly addressed by many Florentine artists, is addressed in a cartoonish form.  Related Paintings of BACCHIACCA :. | The Preaching of Saint John the Baptist | BACICCIO gg | The Piet (Mary Lamenting the Dead Christ) ggg | The Preaching of Saint John the Baptist | Apotheosis of the Franciscan Order ff |
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caspar netscher
Caspar (or Gaspar) Netscher (Heidelberg, 1639 ?C Den Haag, January 15, 1684) was a Dutch portrait and genre painter. He was a master in depicting oriental rugs, silk and brocade and introduced an international style to the Northern Netherlands. Little is know of Netscher's early years. According to Arnold Houbraken's 17th century biographical study of Dutch painters he was born in Heidelberg or Prague. His father Johann Netscher probably was a sculptor from Stuttgart who died in Poland when he was two years of age. It is also suggested that Caspar may have been the son of a Rotterdam painter. His mother, fleeing from the dangers of a civil war, carried him to Arnhem. On her way two of her children died. In Arnhem he was adopted by a physician named A. Tullekens. At first he was destined for the profession of his patron, but owing to his great aptitude for painting he was placed under a local artist named Hendrick Coster, and in 1654 became a student of Ter Borch in Deventer, who had family connections to Tullekens. He was Ter Borch's most gifted pupil, probably worked as an assistant as well and he appears several times as a model on Ter Borch's paintings. The Lace-Maker by Caspar Netscher (1662), oil on canvas, 33 x 27 cm. Wallace Collection, LondonIn 1658 he set out for Italy to complete his education there. However, he didn't get farther south than Bordeaux that fall, where he married Margaretha Godijn in 1659. There he toiled hard to earn a livelihood by painting small cabinet pictures which are now highly valued on account of their exquisite finish. After moving to The Hague in 1662, possibly because of the prosecutions of Protestants, he turned his attention to portrait-painting. In this branch of his art was more successful. In 1668 he joined the Schutterij and Cosimo III de' Medici, traveling through the Netherlands bought four paintings. It is likely that Netscher knew the painters Frans van Mieris, Sr. (1635 -1681) and Gerard Dou, but it is certain that he knew the painter Gerrit de Hooch from The Hague as his wife gave her name to Gerrit's new born daughter Margarita in 1676, the event being witnessed by Caspar as well as his wife. He was patronized by William III, and his earnings soon enabled him to gratify his own taste by depicting musical and conversational pieces.
Anne-Louis Girodet-Trioson
1767-1824 French Anne Louis Girodet Trioson Galleries Girodet was born at Montargis. He lost his parents in early youth and the care of his inheritance and education fell to his guardian, M. Trioson, "medecin-de-mesdames," by whom he was in later life adopted and whose surname he took in 1812. He started in school by studying architecture and pursuing a military career. He later changed to the study of painting under a painter named Luquin, before entering the school of David. From 1789 to 1793 he lived in Italy where, at the age of twenty-two, he successfully competed for the Prix de Rome thus making a name for himself for his painting of the Story of Joseph and his Brethren. At Rome he painted his Hippocrate refusant les presents d'Artaxerxes and Endymion-dormant (presently held in the Louvre), work which was praised at the Salon of 1793.
Hans Knieper
painted Portrait of Frederick II of Denmark and Norway in 1581